Tom was a gymnast before becoming Spiderman and even flipped into and out of his audition for Spiderman: Homecoming. Tom's dyslexia was identifed at the age of 7 which led his parents to enroll him in a private school. He's occasionally been hounded on social media...
SENSING SHAKESPEARE: New Book of Teaching Strategies
This book has wonderful strategies and examples that will be helpful for many dyslexic actors and actresses, but also middle, high school, and college students who are tasked with reading complex texts. Listen to my interview with Petronilla here: "For me, as a...
Advice for Actors – Especially Dyslexic Ones
From accomplished actor Lloyd Everitt, the youngest actor to play Othello at Shakespeare's Globe Theatre in London https://www.thestage.co.uk/advice/2016/lloyd-everitt-5-tips-for-actors-especially-dyslexic-ones/ 1. Know yourself Observe your sound and reactions from...
ACTING WITH DYSLEXIA [Premium]
There are some dyslexic children who seem to be natural actors and actresses at early ages and their talent and imitating the gestures, voices, and personalities of others seems almost from birth. What are the strengths and talents that make so many dyslexic people talented actresses and actors? For some it may be emotional empathy, others, an ability to visualize events and personal interactions cinematically, and still others, a love of ‘getting into the heads’ of so many characters. Some drama schools report as many as 30% of their students are dyslexic, so dyslexia seems to be over-represented in these school compared to the general population. Some researchers have observed that as a group, dyslexics are more likely to visualize events upon reading text than […]
Shakespeare and Dyslexia – Making Words Physical [Premium]
Today is National Shakespeare Day, and dyslexia and Shakespeare have been on our minds. We recently mentioned that Lloyd Everitt (yes, he’s dyslexic) is the youngest actor to play Othello at Shakespeare’s own Globe Theater. But we’ve also been thinking about Shakespeare recently because, on our trip down to California, we had the pleasure of stopping by the Oregon Shakespeare Company’s Rebecca Carey, the head of Voice and Text. Rebecca has an accomplished career that includes acting herself as well as teaching and consultant roles with the Royal Academy of Dramatic Art, Oxford School of Drama, Broadway, and American Repertory Theatre. Rebecca is also co-author (with her husband, David Carey) of The Shakespeare Workbook and Video, a brilliant practical course for actors that includes such topics […]