YOU are a 2nd-grade teacher in a busy public school classroom. You just learned that Teddy, a student in your class has been tested and found to be dyslexic. Teddy already gets pull-out instruction with multisensory learning to help him read. What can you do to help Teddy make more progress in reading? ************ 1. Alliteration, Rhyming, and Singing – All students can benefit by alliteration and rhyming. New readers will find the books easier to read and reinforcing in terms of the patterns of sounds and printed word families, but good readers can also use alliteration and rhyming as a prompt for poetry and humorous writing. Here is a nice graphic organizer for alliteration: (click here for more). This teacher created alliteration spinners to […]
This is Your Brain on Words [Premium]
In breaking research from UC Berkeley, researchers have found a complicated filing system when it comes to how we process words that we hear. While listening to stories, individual words triggered tiny activation explosions all over the brain associated with word associations – “Words were grouped under various headings: visual, tactile, numeric, locational, abstract, temporal, professional, violent, communal, mental, emotional and social.” So a well-working human brain responding to stories functions more like a wall filled with stickie notes rather than a linear filing cabinet? Which sounds more like the dyslexic way of wiring? Check out the video explanation below. The finding certainly points out the fallacy of viewing language in simple right-brain-left brain terms, but it does support the complexity of language and the right-left […]
Shakespeare and Dyslexia – Making Words Physical [Premium]
Today is National Shakespeare Day, and dyslexia and Shakespeare have been on our minds. We recently mentioned that Lloyd Everitt (yes, he’s dyslexic) is the youngest actor to play Othello at Shakespeare’s own Globe Theater. But we’ve also been thinking about Shakespeare recently because, on our trip down to California, we had the pleasure of stopping by the Oregon Shakespeare Company’s Rebecca Carey, the head of Voice and Text. Rebecca has an accomplished career that includes acting herself as well as teaching and consultant roles with the Royal Academy of Dramatic Art, Oxford School of Drama, Broadway, and American Repertory Theatre. Rebecca is also co-author (with her husband, David Carey) of The Shakespeare Workbook and Video, a brilliant practical course for actors that includes such topics […]