Learning second languages are difficult for many dyslexic students; foreign language waivers or substitutions are common, but in spite of this, many can learn other languages and even multiple languages if the goal is conversation. Writing and spelling second and...
[PREMIUM] Reading and Spelling: When Sights and Sounds Don’t Match
TRICKY WORDS: WHEN SIGHTS AND SOUNDS DON’T MATCH Spotlight: Inflectional Suffixes Because many dyslexic students don’t have a visual imprint of words, there are common spelling or pronunciation errors that occur when word endings seem to vary. In most cases, being explicitly taught the different patterns can reduce a great deal of distress later. The technical term “inflectional suffixes” refers to word endings that change a word to make it grammatically correct, but don’t fundamentally change the meaning or the class of words that they are. For example, in the following sentences, the suffixes are shown in red: The dog barks. The dog barked. The endings may reflect whether a noun is singular or plural (e.g. dog or dogs) or whether the action is happening […]
STRATEGIES FOR THE MOST COMMON SPELLING MISTAKES: THE SCHWA [Premium]
Once you learn how to recognize the ‘schwa’, you’ll start recognizing them everywhere! In linguistics, the schwa sound is represented by an upside-down ‘e’ and the mouth position is a lot like the ‘uh’ sound in ‘butter’. It contributes to lots of misspellings in dyslexic students (and actually non-dyslexic students too) so recognizing the patterns can significantly improve all-round spelling performance. STRATEGY 1: EXAGGERATE / MISPRONOUNCE THE SCHWA One surprisingly easy strategy is to exaggerate and deliberately mispronounce a word in order to remember the correct spelling. For instance, the-thee reminds you that the schwa is spelled with an ‘e’. Look at the following 3 objects: monitor, computer, and calendar. To remember -or, -er, and -ar, a student can pronounce monitor as mon-i-TOR, exaggerating the […]
Why Students Hate to Write – A High School Teacher’s Reflections [Premium]
“When students say that they do not like to write I ask them why. They typically respond with, “Because I hate it” … after incidents like this I cannot help but sit back and ask myself why I think they do not like to write…” One young teacher of high school students put her own assumptions to the test and her teaching has changed forever. Students with dyslexia often hate to write because there is such a huge gulf between the ideas in their heads and what they can get down on paper. At a recent talk to some student teachers, I asked the room what they thought they could do for a high school student who was very slow and having trouble getting their […]
Dyslexia in the General Classroom – YOU DECIDE : 2nd Grader and Reading [Premium]
YOU are a 2nd-grade teacher in a busy public school classroom. You just learned that Teddy, a student in your class has been tested and found to be dyslexic. Teddy already gets pull-out instruction with multisensory learning to help him read. What can you do to help Teddy make more progress in reading? ************ 1. Alliteration, Rhyming, and Singing – All students can benefit by alliteration and rhyming. New readers will find the books easier to read and reinforcing in terms of the patterns of sounds and printed word families, but good readers can also use alliteration and rhyming as a prompt for poetry and humorous writing. Here is a nice graphic organizer for alliteration: (click here for more). This teacher created alliteration spinners to […]
Shakespeare and Dyslexia – Making Words Physical [Premium]
Today is National Shakespeare Day, and dyslexia and Shakespeare have been on our minds. We recently mentioned that Lloyd Everitt (yes, he’s dyslexic) is the youngest actor to play Othello at Shakespeare’s own Globe Theater. But we’ve also been thinking about Shakespeare recently because, on our trip down to California, we had the pleasure of stopping by the Oregon Shakespeare Company’s Rebecca Carey, the head of Voice and Text. Rebecca has an accomplished career that includes acting herself as well as teaching and consultant roles with the Royal Academy of Dramatic Art, Oxford School of Drama, Broadway, and American Repertory Theatre. Rebecca is also co-author (with her husband, David Carey) of The Shakespeare Workbook and Video, a brilliant practical course for actors that includes such topics […]